![]() glyphs format 3 glyph tags into FontLab glyph tags. glyphs stroke assigned to a path to a FontLab stroke. New FontLab converts color layers named like Color 0, Color 1 etc. New FontLab imports _corner, _segment and _cap components from. ![]() glyphs font format, both version 2 and version 3.glyphs format 3 ¶ glyphs ¶įontLab now correctly imports many additional aspects of the. New If you open OpenType fonts with features defined for scripts such as Bengali, Devanagari, Kannada, Malayalam, Sinhala, Telugu or Tibetan, FontLab now decompiles the feature definitions more correctly. Decompiling features for complex-script fonts ¶ If the font also contains an sbix or CBDT table, each glyph will also contain a ppm.NNN layer with the bitmap content, where NNN is the pixel-per-em size of that content. The bw layer contains the fallback monochrome contours.The SVG layer contains the SVG table content, either as native SVG elements or as editable elements.Additional layers may contain the variation masters if the COLR content is variable.The default layer (typically named Regular) contains the COLR content, so it may include components.For example, if you open a font that contains a COLR table and an SVG table, each glyph will contain multiple layers: New You can now open color OpenType fonts that contain multiple “flavors” (technologies for storing multi-color glyphs). #5802 Opening multi-flavor color OpenType ¶ One such font is the Apple Color Emoji font bundled with iOS. New You can now open OpenType+sbix fonts that contain embedded images in the emjc flavor that uses LZFSE compression. Glyphs in such fonts may be filled with gradients, in addition to solid colors. New You can now open OpenType+COLR fonts with the COLR table version 1, introduced in the OpenType 1.9 specification. Opening color OpenType+COLR with gradients ¶ Previously, FontLab could not open such fonts correctly. FontLab does not retain the native SVG content in this case, but instead automatically converts the glyphs to editable elements (same as Element > Image > Make SVG Editable). New If you open an OpenType+SVG font in which different glyphs use different parts of the same SVG document stored inside the SVG table, FontLab now opens the font correctly. New FontLab opens variable OpenType fonts with many masters over 10× faster. Such fonts are used for HOI (higher-order interpolation). New If you open a variable OpenType font that contains multiple axes in the fvar table that use the same axis tag, FontLab now correctly produces unique axis codes for every axis. Instead, FontLab opens the font with integer coordinates. New If Convert TT curves to PS curves and Round coordinates are turned on in Preferences > Open Fonts, and you open an OpenType-TT font, FontLab no longer shows the Round coordinates dialog. Turn off Preferences > Map zones to specific glyphs using tags and open the font to see all zones in all glyphs, or change the zone tags in Font Info > Zones. For example, the uppercase top zone only shows up in uppercase glyphs. New Assigns tags to alignment zones, so only relevant zones appear in various glyph groups.When you open an OpenType font, FontLab now: Open FontForge SFD files, bitmap BDF fonts and multi-flavor color fonts. Two Minute Customizing Your Metrics Windowīatch-export many fonts into many formats. Merging, Separating, Overlapping Shapes: Surgery Importing Settings and Shortcuts into FL 8Īvoid Mistakes By Following the Basic Vector Rules Text carved into wood is usually the opposite of those things.Opening fonts or importing artwork with fractional coordinates Text on maps is usually neat and tidy and really really small. What I didn’t tell you was the hardest part was carving the text. In Part One, I told you the story of carving and printing a map by hand. This post is part three of a series with John Nelson on digitizing the aesthetic of woodcut block-prints for cartographic purposes. Then I show you how to further manipulate it (or any font) in ArcGIS Pro to do your typographic bidding. In this tutorial I take my own hand-carved woodcut text and turn it into a digital font that can be used on digital maps. Or it may exist in a type drawer in an antique shop somewhere, and so far no one’s taken the time to digitize it. But what about fonts? There is many a gorgeous font – especially on maps – which cannot be downloaded. You copy color palettes and scale bars and road symbols. No, you look to other beautiful maps for inspiration. You don’t waste time trying to reinvent the wheel.
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